Exclusive Interview: 88-Keys

As mentioned before, the Hangover Tour made its way through the nation's capitol earlier this month. We got to chop it up with Mr. Polo Dolo, Charles Misodi Njapa, also known as 88-Keys. While he may be new as a performing artist, he is no rookie to the hip hop industry, having worked over the years with the likes of Black Star, Scarface, Kanye West, Beanie Sigel, Musiq, Pharcyde, you name it! His production is well known, and the industry's stamp of approval runs deep, spanning over a decade. In this exclusive interview with 88-Keys, we spoke with the brain behind The Death of Adam, as he discusses his sound and influences, explains the concept behind Adam's identity, elaborates on his relationship with Kanye, among many other topics. Enjoy!

Exclusive Interview with Greenspan (DJ Benzi x Ill Roots x Ill Vibes x Judah)

Exclusive Interview with Greenspan (DJ Benzi x Ill Roots x Ill Vibes x Judah) from illvibes on Vimeo.

This is an exclusive interview on behalf of Judah x Ill Vibes x Ill Roots x DJ Benzi with Baltimore artist Greenspan regarding the release of his long awaited mixtape "When the Sky Turns Green." Check out what the young MC has to say about his background and his newest project.

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Greenspan - When the Sky Turns Green
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MIXTAPE: Greespan - When the Sky Turns Green

The mixtape is finally here and I am very satisfied with the results. "When The Sky Turns GREEN" is a collection of music created with imagery of elevation and free will. Each song has been designed carefully to offer listeners an accurate depiction of sovereignty with representations of the soulful-side of hip-hop from the perspective of a Baltimore artist. The content in such songs as "Wings," "Sky Dive," and "Outlaw" each cry out freedom as Greenspan breathes life into his artistry through actualization. It is a very smooth project with soulful cuts like my favorite "Khloe Kardashian" and "You Know My Name." Greenspan is a product of Baltimore and it is evident in his unique delivery and flow .

As far as the production, "When the Sky Turns Green" has a lot to offer. Throughout the project, Judah offers some heavy beats from the mellow introduction "Is Falling", the epic sound of "Sky Dive", to the hard-hitting edge of "Latitude." Another notable stand-out beat is by Kleph Dolla with the jazzy "Khloe Kardashian." If you are a hip-hop head there is definitely something here for you....so what are you waiting for?

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Greenspan - When the Sky Turns Green
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Mixtape/Synopsis: Dre-Ski - Follow Me v.2

HTTP://WWW.DRE-SKI.COM



DOWNLOAD:

Dre-Ski - Follow Me v.2



Mr. 757 is back with another banger, fresher than before and with more to get off his chest. As you may recall, we introduced you all to Mondre Barnes aka Dre-Ski during one of our "Artist Spotlight" segments, back in April '08. Fresh off the release of his "Follow Me" mixtape, Dre-Ski proved even back then how passionate and talented he was. Just over a year later, we can easily see the dramatic growth of his progression, a testament to the work that he's been putting in. It's incredibly difficult nowadays, especially with the flood of mixtapes from everybody and their mommas, to determine who to put on and who sincerely we like to co-sign, but we're confident in our approach with Dre-Ski. Over and over, he continues to validate any definitive statement we make about him, and more and more do we become impressed by his willingness to listen to our advice and critique.

Since speaking with us over a year ago, he has re-evaluated himself (not necessarily all because of our advice) and progressed in an industry lacking in holistic artists - holistic in the sense that an individual, while staying true to himself or herself, finds the necessary balance while experimenting with and considering ways to push to the edge, all the while challenging one's self. Precisely in Dre-Ski's follow-up to "Follow Me" do we see that. Right from the beginning, Dre-Ski introduces himself on the Intro, while also recognizing that "you probably never heard of" him, an honest opinion that does nothing to hinder his approach and drive.



His flows are flooded with thoughtful wordplay and syntactical precision and manipulation, as he experiments at various times with singing and vocal editing (not to be confused with Auto-tune). With no embellishment, no cliché messages, no unnecessary glitz and glamour, Dre-Ski, throughout this project, speaks candidly about a range of topics. It is no wonder that this project took over a year of thought and execution, as he laces tracks adorned with his ideas regarding politics, religion, and crime, for example, on "Dead Prezz". On "Swagg", we notice a self-introspective Dre, at times questioning his presence in the rap game, seeking validation wherever until finally understanding that the only true critic who matters is himself. Dre-Ski takes us on a personal journey over the years, as he details his struggles with producers and naysayers on "Misunderstood". Whatever the message we take from this project, one thing is for certain, as he states formidably on "I Am Hero": "the truth is, Dre is back on his shit!"

My favorite track by far on the project is "Lonely Visions", for many reasons: for one, Dre-Ski has taken one of the most underrated beats from a hugely underrated producer (6th Sense) to create an amazing song; second, the emotional progression on the song is quite a journey, ending in what, I think, is the most honest statement on the track: "... but my heart got buried in a heart cemetery" (the symbolism alone gave me chills); and finally, it's the feel of the song that has me wanting for more and more, and perhaps Dre-Ski will create an extended version!!

Dre is certainly making his mark in the music world, and this project will indeed put him on further than before. This project is a heavy overflow of information and lyrical ability that intrigues you throughout the the entire listen. He understands that he is a work in progress, that he is a human who continues to learn and improve, and that only through hard work and dedication will he make it to where he wants to be. He is not one who shies away from the challenge, as he has shown with his endless shows, at one point opening up for Lupe Fiasco. Be sure to catch more of his music and at your nearest venue! iLLVibes certainly will!




For more information about Dre-Ski, be sure to hit up http://www.dre-ski.com.


PREVIOUSLY: Artist Spotlight: Dre-Ski

Interview: Adam Tensta (iLL Vibes Exclusive)

ADAM TENSTA MIX

The commercialization of hip hop and R&B (e.g, Mc Donald’s commercials and recently that Burger King commercial) has brought about some shame to its own genres from its tendency to latch onto clichés and reinforce stereotypes, yet it also has brought about numerous benefits primarily with its international appeal. Classic vibes from New York-based hip hop acts like the Wu-Tang Clan, Mobb Deep, and Nas stayed on repeat for Adam Momodou Eriksson Taalis aka “Adam Tensta,” all the way in Stockholm, Sweden and they came to be a profound influence for the young MC. Although he was heavily molded by American music, Tensta seems to never forget where he comes from retaining the electro/trance/bass sound very popular in Sweden. This is also evident in his stage name “Tensta”, the name of the projects in which he was raised in the outskirts of Stockholm.

Tensta’s sound is unique with an amazing production team ready for clubs fused with conscious lyricism touching upon various themes like just plain stunting (“My Cool”), love (“Before U Know It”), racial profiling (“Dopeboy”) and politics “(“Bangin’ on the System”). His rough vocals provide a rugged yet smooth resonance over any track. Over time, he has definitely caught the attention of cats in the industry recently in California touring and working with Mickey Factz, Diz Gibran, Shawn Chrystopher, U-N-I, ‘87 Stick Up Kids, and several more.

Although we have had the amazing opportunity to interview Wiz Khalifa, Chester French, Mickey Factz, Asher Roth, and several other MCs in the game, we are extremely proud to present our first international interview with an artist that is not a native from the United States. So, take your time and let this post marinate as the Swedish MC took his time on a very thorough interview. Read on about what Adam Tensta has to say about his new album, the Swedish hip hop scene, deconstructing stereotypes, Orisue clothing, etc.

Without further ado, it's time for some Swedish vibes...

iLL Vibes:

Honestly, the first time we heard about you was through the Perez Hilton blog. When was the first time you realized that you had a chance to break into the U.S. Market?

Adam Tensta:

I've always known that I have something that can't be duplicated in the U.S, but it wasn't until it became somewhat of a trend in the States I knew that my genre had mass appeal. (Kid) Cudi's “Day N' Night” was the first example of this. This, in combination with my already attained success in Europe only strengthens my belief that I can make it overseas.

IV:

Definitely, Cudi’s track spread so quickly since last summer. I feel like “My Cool” has the same potential with the proper radio play. When can we anticipate your new album in the United States? And do you have other projects on hand?

AT:

As of yet, we don't have a release date for the album. In fact, we’re unsure whether to go major or independent with it. Though currently talking to a couple of majors, we haven't decided how to move on with the label situation. Other than that, I'm in the studio knocking out new material, just being progressive and open minded.

IV:

This next album definitely has to be crafted with patience for perfection, until then keep bringing the new music like that Peter Bjorn remix. “Nothing to Worry About” with U-N-I was incredible, you have been doing tours with Mickey Factz, the '87 Stick Up Kids, and Diz Gibran, and soon if not already you will be in the studio with Wale. What other artists can we anticipate you working with?

AT:

First of all, thank you. I also think that remix came out dope. I'm keeping the doors open for creative alternatives so I wouldn't limit it to just saying rappers. I'm definitely looking forward to gaining experience about how other artists work. Having recorded all my material in a one square-foot closet, it was a great experience meeting up with Wale and his people at the Redbull Studio in L.A earlier this year.



IV:

Your sound definitely has an eclectic appeal so working with other genres would be amazing. With that said, what were you influences growing up in hip-hop because your sound now is heavily based on electronica, yet on some of your prior mixtapes you have a Down South flow like that of Slim Thug and Paul Wall.

AT:

My influences range from mid 90's New York-based hip-hop to Down South acts like Outkast (if I can put them in that category). Also, I'm heavy on Bob Marley, so I guess the list could be viewed as a kaleidoscope of different flavors from all over the place. Right now, I'm inspired by acts like Howard Who, Royksopp, Mats Katt and OK Franklin.



IV:

You can’t go wrong with NY and I’m hooked on that Royksopp track “The Girl and the Robot.” With your music we particularly enjoy how you tackle and deconstruct certain stereotypes. You also touch upon racial profiling and other political issues on you album, but what other struggles have you experienced as a black Swedish rapper in the industry?

AT:

Well, first it has to be stated that hip-hop traditionally hasn't been as accepted as other genres for example Pop/Rock and Dance. Even though hip-hop has a strong following there aren't that many acts that surface and succeed staying there. A lot of the music that gets air is foreign more so in the hip-hop genre compared to others. So yeah, you are most definitely going to run in to problems being a hip-hop artist in Sweden, mostly cause industry people know that successful acts are few and hard to come by.

To be honest, right now it's a whole other ball game compared to earlier years. After releasing It's A Tensta Thing and it gaining critical acclaim, people of course treat you differently. But I do remember them days when the stage manager shut the stage down cause a hip-hop crowd couldn't behave the way they were supposed to.


It always ended up with everybody being thrown outta the club, some clubs even banned having hip-hop acts perform cause they had earlier experience of how it could end. Stereotypes like this within the industry is something everybody has to get around in some way, I guess the "I know somebody" rule applies here as well. It's SO much easier to get a connection if you know somebody, who knows somebody who is somebody "in the game."



IV:

Wow, banning hip-hop at venues? That’s just a crazy man. You also are a product of a mixed background, as well as the product of an immigrant. How has that influenced you as a person and as an artist?

AT:

Well, everything I've seen growing up in the middle of the blend of cultures in Tensta, I try to put in my music. For me it's all about life experiences and that I have plenty of them. It's hard to say exactly how it influenced me without going in to major detail, but living in the same housing project as kids from all over, for example Turkey, Somalia, Iraq, China and Chile kinda colors you, you know what I mean? Not just in a positive way, sometimes these cultures clash and all hell breaks loose, but you learn to co-exist.

IV:

The U.S. is more and more culturally diverse everyday, so I understand where you are coming from. Enlighten us on the hiphop scene in Sweden. As you know, the hip-hop scene in the US is very diverse and varies a great deal on the regional/local level. Describe the hip-hop scene in Sweden. How is it organized, and what are some of the different sub-genres specific to Swedish hip-hop?

AT:

The Swedish hip-hop scene is a bubbling pool of talented rappers and music producers. Though Swedish hip-hop is definitely influenced by the American one (how could it not be) our scene started some 20 years ago and has evolved over the years. Hip-hop has always been built on the concept of what a person has been going through growing up.

I’ve noticed that people speculate whether we have projects in Europe or not. I think people might think it’s been sweet coming up in Sweden, which is not always the case. We do have racism, poverty, immigration, alienation and segregation issues here just like any other place.

In other words, there’s plenty to rap about here. In addition to that, I’d like to add that we have our own style and sounds, some of which have been noticed across the world. I don't know if you could divide it into sub-genres more than backpackers/ commercial/ down south/ and electro oriented artist. This is in no way exclusive for Swedish hip-hop though. I've never been the one to label music.



IV:

You touch upon several of those issues in your music and it’s good to hear that hip-hop has such a strong resonance in Sweden. From your perspective, how has hip-hop music in Sweden changed over the over the years as a result of the “internet buzz”? Has it stifled the influence of “distinctly Swedish” elements?

AT:

No, not at all. The Internet phenomenon has simply made both the music and the listener more accessible, everywhere you look you can download a free mp3 or pre-listen to your favorite artist’s new album directly on you computer, even before it's been released. This climate has created a more up-to-date listener, who knows what's hot before the radio starts playing it. This also means that borders aren't what they used to be. You could have an audience of listeners all across the world without even having a song on the radio. The latter is what's happening to me as we speak. I've had tours on three continents without even releasing my music abroad, this because of people that have heard my music through Myspace or Youtube. You don't need to live in L.A or any other music Mecca in the world to make it happen.

IV:

Nope, no passport necessary for music and you are right we stumbled upon your music through the internet as well. As far as fashion, tell us more about your connection with the clothing line Orisue; what is the story behind its creation?


AT:

I needed a forum to blog on during my visit in L.A, a forum that could reach out to "hip to the move" people. There is something about fashion-aware people that also puts them in the spectra of appreciating new music. These people are the fashion makers and they more often than not, dictate what's hot. Plus, the people at Orisue are a standup bunch of dudes.

IV:

Word, I couldn’t have said it better. Shoutout to Orisue!!! (Can iLL Vibes get some gear??) Anyways, how has being a representative of 'A Non Smoking Generation' and an Ambassador for the Swedish chapter of 'Save the Children' shaped the overall progress and development in your music today?

AT:

My music and my dedication in these organizations are two separate things that I try to keep separate as much as I can, but as a spokesperson it kinda enables me to disconnect from the artist role. This part of Adam Tensta has nothing to do with the music. Creating music is just a big abyss, a space that I can't really explain.

IV:

It also makes you a role model for the next generation. Beside the positive messages within your music, do you see yourself transcending your current medium into other forms of art or becoming an actor?

AT:

Right now I can't see myself doing any acting since I’m focusing all my time on writing, and doing this artist thing is a fulltime gig. But if I get some time off and some lessons, I'm not foreign to the idea of getting my Ludacris on.

IV:

Hahaaa, no “Crash” sequel? So we have to know: you've won Grammy's in your country, and you're definitely known internationally. What is there left to do? What are your long-term goals, and how do you want to be remembered?

AT:

I haven't even dropped an album abroad yet, so that needs to be achieved first of all. I think my career as Adam Tensta is going to be intense and short lived. At least I hope so, cause that only opens doors for other projects I also want to be a part of. It doesn't mean that my artistry will vanish it only means that I’ll find other ways of expressing it. Secondly, I want to open doors for other artists coming out of Sweden and make progress on an international scale. Third, I want to take my writing to another level, maybe try it in the form of an author. In between all of these goals I'll probably stray away for a couple years and do what I find exiting right then and there. I think the goal is to never stop dreaming, no matter how farfetched it seems.

IV:

We will definitely support your movement the whole way. Ill Vibes is a website based in the Washington, DC metropolitan area, and since there is footage of you in the studio with Wale (a Washington, D.C. native), when can we expect you kicking it with iLL Vibes and performing in the area?

AT:

Ain't nothing set yet. But I'm hoping my socks off for it. D.C. is a city I've always wanted to visit. Maybe you could make it happen? 



IV:

No doubt, say the word! We got a lot of venues that would definitely love to hear your music. Not only do you have a unique sound, but even your videos are extremely different - especially with the heightened color scheme and with visuals that correspond perfectly with the bass and thump of your sound. How do you go about creating such unique videos?

AT:

Fortunately, I had the luck to cross paths with director Marcus Lundin, when I handed out copies of my first single "They Wanna Know" on the streets of Stockholm. He called my management a week later and proposed to do the video for it. Since then, he’s been feeding us visions of directions to take things in. We discuss ideas back and forth, before anything gets decided. We go through this process every time we shoot a video. It’s important to surround yourself with creative people in ALL layers of the entertainment industry. People that know how to enhance a vision from different perspectives and can help bring it to life. Every song and every feeling that particular song plays on, is something that can be enhanced by a visual. A least that was our goal.

IV:

You met the goal too. So, we hear that you spazz out at your shows, and in fact, you shared a story how you went so hard that you almost fainted at a show. Are you crazy?! Nah, in all seriousness, we love the display of passion at live shows. What motivates you to push so hard even during live shows?

AT:

The live shows are the reason to why I grind it out in the studio. The live shows are the reason why I do this. I always carry my back pack containing my MacBook with me, in case I have to write something down when I'm on the subway. Everything I do as an artist is for the stage and reveals it self on stage. That’s where I feed off the energy people give me. There is no greater feeling than standing in front of 5,000 people, giving my all and gaining their acceptance for what I crafted on for so long. When I get in that zone leading up to a show, all I think about is the show. Everything after and before is just part of that abyss. It's very hard to explain but during the live shows I feel more alive than at any other time.



IV:

Lighting Round Questions - "They Wanna Know":


1. How many languages do you speak? Three

2. Favorite all-time Swedish/American artist? National Teatern/ Outkast


3. Favorite all-time Swedish/American food? Pancakes / Corn bread

4. Kim Kardashian or Halle Berry? Halle Berry all day!

5. Top 5 songs - from any genre?

Little Dragon- Places To Belong

Fever Ray - When I Grow Up

Rob Roy - Carmencita

Howard Who - Stockholmsnatt

Big Sean - Who Knows ft.Mike Posner* (iLL Vibes Favorite)

IV:

We here at iLLVibes pride ourselves on getting to know artists - beyond their music. We appreciate the time you took out of your busy schedule to let us get a glimpse of who you are and wish you nothing but the best! If you ever need anything else just holla at us and we got you!

Shoutout to My Best Friend is My Grind

Check out these recent drops from Adam Tensta:

Adam Tensta - Welcome to Heartbreak (remix)

Adam Tensta - Huvudet I Sanden (Personal Favorite!!)

Adam Tensta - Into Space (sampling Justice)

Adam Tensta ft. Lykke Li - Little Bit of Room

Adam Tensta ft. Dida - Electric Feel

Adam Tensta - They Wanna Know

Interview: Wiz Khalifa (iLLVibes Exclusive)

While only 21, this Pistolvania artist is no rookie to the industry. With many mixtapes already under his belt and a debut album, including his hit "Say Yeah", this young emcee is ready to take the industry by storm. On the verge of releasing his Warner Bros.-backed album "First Flight", Wiz chops it up with iLLVibes to discuss his latest mixtape Flight School, his current mixtape with Curren$y, his background and childhood, among many other topics. Be sure to hit up Wiz on his myspace, twitter, and get with the movement!

iLLVibes Interviews Wiz Khalifa from illvibes on Vimeo.

Be sure to check out his mixtapes below and his videos:
Wiz Khalifa Discography:

Prince of the City: Welcome to Pistolvania

Grow Season

Prince of the City 2

Star Power

Flight School

Videos:

iLL Vibes Presents: "Music I Wish Was on the Radio Vol. 2"

Now I released "Music I Wish Was on the Radio Volume 1" cause I feel like I had to get out good music out and Volume 2 flows off that same sentiment. Although a lot of dope artists are finally getting some recognition like Wale (signed to Interscope), Theophilus London (getting love on Fader/Rolling Stone), Mickey Factz (cover of XXL and Honda commercial, Big Sean with G.O.O.D. music, etc. the radio still is settling for some foolish tracks (i.e. "Stanky Leg" ---> I'm pretty open-minded and I hate that ish). There is real music out there and it needs to be discovered.

CLICK TO DOWNLOAD

I think it is best said by Melo-X on his Day N Nite remix "Google Alerts" featured on this mixtape, he said, "Nas said Hip Hop was dead, silly n*gga was listening to the radio..." It is true, so take a deep listen to this mixtape, listen to Mickey rap about the recession on "Sensibility", listen to Blu spit about the reason why he is making music on "Dancing in the Rain", check out Big Sean's creative flow on "Supa Dupa" and listen to lyricism and beats coming out of the DMV with Ice the Villian, X.O., Pro'verb, Lyriciss, and my man AB the Producer.
Each of the artists on this compilation has something special to offer like Drake's talented style switching from singing to rapping to the crazy young yet old school flow coming from 16 year old Nero. I hope you guys enjoy the mixtape, and please show love if you do cause it took alot for me to pick out these tracks. There is so much music flowing out there in the world today and only a few can make it.

With that being said. The cover art is inspirated by the date this joint is coming out on...Biggie's anniversary. Check out Termanology's track "Bars 4 Stars" with Skyzoo and Reks to hear a SWEET sample of Biggie Smalls. Rest in Peace Big and bump these iLL Vibes yall....

Comments are appreciated!

CLICK TO DOWNLOAD:

iLL Vibes Presents: "Music I Wish Was on the Radio Vol. 2"

Tracklisting:

1. iLL Vibes Intro
2. Wale - Nightlife feat. Tre and Young Chris
3. Nero - Alive & Vibrant
4. Brandun DeShay - Astro No Me feat. Aris P
5. TiRon - Still Never Happy
6. QuEst - Listen to Your Heart
7. Blu - Dancing in the Rain
8. Pro'Verb - Cry
9. Ice the Villian - Hustle 4 U
10. Big Sean - Supa Dupa
11. Curren$y - Blown Away
12. Theophilus London - Day One Fans
13. Melo-X - Google Alerts (Nite n Day Melo Eclipse)
14. Mickey Factz - Sensibility
15. Charles Hamilton - Loser
16. Drake - Successful feat. Trey Songz & Lil Wayne
17. Mike Posner & Braintrust - Matter of Time
18. Termanology - Bars 4 Stars feat. Skyzoo & Reks
19. Brother Ali - Talkin My Shit
20. Fresh Daily - Fresh
21. AB the Producer - Go Hard feat. X.O., Pro'Verb, Lyriciss
22. iLL Vibes Outro


PEACE Y'ALL ENJOY!
SHOW LOVE IF YOU FEELIN THE MUSIC!

INTERVIEW: Round 2: iLL Vibes x Mickey Factz - From XXL to The Achievement

ROUND 2: iLL Vibes x Mickey Factz

"From XXL to The Achievement"


Vibe to Mickey Factz while you read this interview!

Mickey Factz - Heavens Fallout

Awhile back we had a chance to chop it up with Mickey Factz and ever since then he has increasingly been getting more of a buzz (Check out our FIRST interview with Mickey Factz). He is a diamond in the rough that is beginning to turn heads and open ears with every given day. This guy is definitely in my top 5 for the moment, as I am amazed by his witty lyrics, gritty NY flow, and eclectic sound. Mickey Factz does not have a lot of weaknesses and is really versatile, open to spit on other genres from alternative to electronica. His ego carries him, while his passion for the music balances him. I really feel like there are no boundaries for Mickey Factz in 2009. Fortunately iLL Vibes got the opportunity for a second interview with Factz as he touched upon being on the XXL Cover, his thoughts on the DMV, and working on his first LP, "The Achievement."

IV:

Ok, we don't have to have any introduction this time around. Its Mickey Factz, straight outta NY, dope flow, got that uber hip hop, Heaven's Fallout to the Leak, XXL cover, and they already know you aint like the "Rest Of Em." A lot has happened since we last did the interview man, you wrapped up the Leak vol. 2 and you have already gotten started on your first LP titled "The Achievement." Then XXL hit you up.. tell me how it felt when they hit you up to be on the cover.

Mickey Factz:

It felt like the greatest feeling anybody could ever experience. I do this for people just like me. The underdog who doesn't have a chance at making it happen but has all the talent in the world. No co-signs, No radio play, No big features. Just hard work, consistency and talent. I'll never forget that day.

IV:

And the hard work definitely paid off kid. It's a crazy list man they had Cory Gunz, Charles Hamilton, Wale, Asher Roth, Blu, Ace Hood, Curren$y, B.o.B., and Kid Cudi. However, do you feel like the overlooked anybody in particular that is killing the game right now? Cause I gotta say I was rootin for Drake. If Mickey had his own GFC magazine cover who would be on it?

Mickey Factz:

Everybody on the cover would be there. I woulda just had a Top 15 and added Drake, Jay Electronica, Nipsey Hussle, Nicki Minaj and Skyzoo. That woulda been crazy.

IV:

Drake is the truth and Skyzoo is definitely another gem out of NY. Almost all of the guys on the XXL cover I have been following on the blog from the beginning and we even got a chance to interview Asher. The complete list are all internet sensations. The game has changed, you look at last years cover...none of them were really over the net like that besides Crooked I and Papoose. Hamilton blogs, Asher blogs, Wale's manager Dan Weisman got a blog promoting him, and I've seen you been on top of it too with GFC. Talk about the positive aspects of the net and also some of the negative things that you have come across.

Mickey Factz:

The positive side of it is your reaching people for free all over the world. People gravitate toward you and get a better understanding of what you do. The negative side is, regardless of what people may think, everybody doesn't go on the internet and if they do, they're not allllll checking for ur music. So its a weird space to be in but I wouldn't trade it for the world.


IV:

It's true...despite the increasingly popularity of the ne, television and and radio are still the main sources for the people to get their music. Switiching over to album sales....it is not the same anymore. It's funny cause just like you said the last CD I bought was Kanye's Graduation even though I already heard it all by the time it came out and the next one I've been meaning to get is Q-Tip's joint the Renaissance (he blacked out on it) after seeing him at the 9:30 Club in Washington, D.C. I remember you said that people aren't buying into music anymore, but rather what else comes with the artists be it style, videos, and mannerisms. I totally agree, so what do you think you have to do in order for "The Achievement" to put out some sales?


Mickey Factz:

Its going to be a piece of timeless art for the people. Not to mention the marketing and word of mouth has to be unforgettable. A crazy single and selling out shows also adds to the equation. I want people to feel like this is the soundtrack to their lives. It has to be a spectacle of art.

IV:

It seems like you got it all figured out man. Now, iLL Vibes is a blog coming out of the DMV area so I got to have a question targeted for our audience. When are you coming to the DC area man? I've been dying to go to a show or whatever. Also, how would you feel about ever working with DC artists like Wale, Tabi Bonney, Raheem Devaughn, Marky, etc.? Could that be a possibility for the future?

Mickey Factz:

I was actually in Baltimore this past month. It was really dope. People came out to show support and it was greatly appreciated. I've actually done something with Tabi Bonney. Wale and I have yet to do something, but hopefully it'll go down in the future. I like Raheem and my boy Kenny Burns rocks with Marky so when it boils down to it, there's tons of DMV love over here. I'll be in D.C. before Feb.


IV:

We know you got an eclectic side. So what is bumping in your rotation currently? Are there any acts out there people need to hear about?

Mickey Factz:

I've been bumping a lot of Kenna lately. I also have been checking out Zoot Woman, Mastercraft and John Tensta. Dope cats to peep.

One of my favorite cuts from Kenna

IV:

I love Kenna! "Loose Wires", "Say Goodbye to Love", and "State of Emotion" are my jams. We just finished up an interview with Colin Munroe and I every since I heard this dude's remix of Kanye's "Flashing Lights" I knew he was going to do something big. How was it like working with Colin on his mixtape "The Unsung Hero" on the track "One More Chance?" How did that whole collabo come about?

Mickey Factz:

Colin is an amazing talent who I respect dearly. It was great to work with him. The collab came about cause he reached out. He had talent and drive and I respected that. He's doing something for my album as well. So I can't wait for it to drop.

Check out the collab of Mickey Factz with Colin Munroe - "One More Chance"

04 One More Chance feat. Mickey Factz - Colin Munroe

IV:

I can't wait to hear another collab. Now, we gotta talk about the album. What can we expect from it, is it going to be like Heaven's Fallout? Which producers and other rappers have you worked with or plan to work with?

Mickey Factz:

The album The Achievement is going to be crazy. Its going to be like Heavens Fallout mixed with The Leak. Precize is handling the bulk of the project. IllFonics, Christian Rich, Ibe, Etc. I got a lot of things right now. As far as guests, I did something with Chester French, Kid Cudi, Curtis Santiago. Trying to lock down a couple more people but we'll see what happens. I can't wait though.

IV:

Kid Cudi is the man and we also had the pleasure to interview the ever so talented Chester French a couple weeks back, some cool people. So, I got to ask this question because youtube after youtube video I can't stop wilding out everytime I hear you kill a freestyle (recently that Episode 6 of The Achievement). Talk about the freestyle element of hip hop. How did you learn to get so good at it and how important do you think it is to hip hop?

Mickey Factz:

Well its all about practice, practice, practice. I can freestyle off the top and I can also spit writtens crazy. Its all about picking the right time to do which one. So far I've been on a pretty good run as far as the freestyling goes. Especially Episode 6 of The Achievement. That was a killer. Shout out to Cory (Gunz) and Charles (Hamilton). I had mad fun that day.

These are my top 3 freestyles from Mick

1. Mickey Factz - Episode 6: The Achievement with Charles Hamilton & Cory Gunz

2. Mickey Factz freestyling outside the Kid Cudi mixtape release

3. Mickey Factz with Cory Gunz on BET's "The Deal"

IV:

I bet man, some talented company around you that day. You are a multi-tasker, I see you doing promotion for GFC aside from just rapping with Nakim, Nipsy Hustle, and Devin the Dude. What other things you got going for you? You still keep in touch with my dude Theophilus London and Jesse Boykins? After the tracks I heard you do with them I want to hear more of that.

Mickey performing with Theophilus London in Brooklyn

Mickey Factz:

I mean I handle my business as far as GFCnewyork. That's my company. I'm going to be getting into more televised situations as well as working with more artists on the promotion tip. Theophilus London and Jesse Boykins are extended family and we'll be doing work together until I retire.

IV:

Good, shoutout to Theophilus London, he is definitly doing big things and I can't wait for his mixtape "The Charming Man" to come out soon. Aight Mickey, I got to say thank you so much taking the time out to do another interview with iLL Vibes. We got your back for the long haul and I can't wait to go out to Best Buy to cop that album when it comes out, hell I might buy a couple. I'll leave this spot for you to send out some shoutouts to your crew and people who have held you down and for anything you got to say.

Mickey Factz:

If your breathing this is for you! The Achievement is coming...


If you are new to Mickey Factz, get caught up on the music with his mixtapes below. I'm telling you, an instant classic is his "Heaven's Fallout" mixtape. It's simply amazing....

CLICK TO DOWNLOAD:

In Search of the N.E.R.D.

CLICK TO DOWNLOAD:

Back to the Future Flashback Vol. 1

THIS MIXTAPE IS AMAZING!! ONE OF MY FAVORITE EVER!!!

CLICK TO DOWNLOAD:

Heaven's Fallout

CLICK TO DOWNLOAD:

The Leak Vol. 1 - The Understanding

CLICK TO DOWNLOAD:

The Leak Vol. 2 - The Inspiration

Coming in May 2009.....THE ACHIEVEMENT!!!!

Interview: Colin Munroe

WHO IS THIS UNSUNG HERO? To say that he's multi-talented is an understatement; in fact, to throw any adjective will hardly reach anywhere close to what he brings to the table. After emerging on the scenes with his Flashing Lights Remix ("I Want Those Flashing Lights"), this guy not only got the blogs and DJs buzzin', but even the man himself - Kanye West - couldn't help but to co-sign this Canadian singer. What was simply a "creative urge" suddenly landed him with Dallas Austin, world-renowned songwriter, producer, and musician, and a label deal with Universal Motown Records.

Let's just say Colin was destined to be a great musician; born on Paul McCartney's birthday and in the same year as John Lennon's death, Colin taught himself how to play a variety of instruments from the beginning: drums, keys, guitar, bass, glockenspiel, you name it.

But to get a true picture of Colin, you need only to listen to his music to determine his influences. Easily extractable from his production and lyrics is his love for Dilla and Dr. Dre, as well as for Van Morrison, U2 and Tin Pan Alley. Now Colin has emerged once again to provide his own version of a mixtape before the much-anticipated release of his album "Don't Think Less of Me". Features from Wale, Joel Ortiz, Mickey Factz, Drake, Saukrates, Blaqstarr, Dallas Austin, Izza Kizza Black Milk, and Novel make his latest project ("Colin Munroe is the Unsung Hero") a highly-decorative combination of various genres and an incredible collaboration of variety and ingenuity.

I WANT THOSE FLASHING LIGHTS

IV: What's going on Colin? How you been? So, to the few people who have not heard about you, introduce yourself. Who is Colin Munroe?

CM: I'm sure there are more than a few! I'm that kid who you never really paid much attention to in High School but had a secret superpower he was waiting to unleash!

IV: Please describe your musical influences – from day one to present day.

CM: I grew up on my parents' records. Van Morrison, Rye Cooder and other names from the 60s and 70s. They didn't really want me listening to popular music when I grew up so I had to be real clever and find ways to sneak the radio on late at night and flip through the dials. I would hear music but never really knew who made it. Those were my influences for many years. To this day I'll come across something that I would hear during those years and now I get to find out who it was.

After I moved to Toronto I got deeper into different kinds of music. I discovered Dilla who became a big influence and Brazilian music which I love.


IV: Yeah, Dilla's a favorite over here at iLLVibes. REST IN PEACE!! So out of anybody in the industry, who'd you want to work with the most?

CM: That's always a tough question cause I usually work by myself. I still think Brandy has something special and would love to work with her. Guilty Simpson is another one I'd love to work with somehow.


IV: Yeah, what Brandy's been pushing out has been going strong lately. We truly respect what you're doing and everything you bring to the table. While you are best known for your remake of Flashing Lights, you are willing to cross over boundaries to produce all types of music, beyond more than one genre. What other types of genre, if any, do you plan to incorporate into your musical palate?

CM: I haven't made any plans to incorporate any particular genres. I just do what feels natural. I think I'm part of the first generation that is truly without genre barriers. It use to be that kids were rock kids, hiphop kids, punk kids etc. But these days everyone's playlists have everything on them and we are able to understand and move comfortably between genres without it seeming fake or forced.


IV: Hmm, that's a really interesting take on music nowadays. We really appreciate the fact that you play so many instruments. For us, that not only garners more respect from the fans (especially when you write your own lyrics), but also makes for a better live show. How'd you get into playing so many instruments?

CM: I had to. I didn't really have anyone around me that I could play with. I wasn't into bands and that whole thing but I had all these instruments at my disposal. It just worked out that way. I'm not particularly great at playing any of them, I just do what I need to do to get the sound out.


IV: To us, that's the beauty behind music – not necessarily the final product. What fans take for granted is the process in making the music, which most do not see. That is why I love the fact that you have YouTube videos of your practicing your songs and making music – very similar to the way Ryan Leslie shoots behind-the-scenes footage of his making new beats/songs. But, seriously, we're amazed by your abilities, the abilities to play (and correct me if I'm wrong) four instruments at once. How did you even decide to make that set and figure out you could handle all of them?

CM: Again, that was just out of necessity. I didn't really have money for a full band so I figured I'd just try to do it myself. Initially I thought I'd just do a thing with two guitars, but then I thought I'd try to add a kick drum and then a snare drum and then it just snowballed from there! I wouldn't want to do this forever though. It's really hard and everything hangs together by threads. I'm gonna find a way to expand it but keep it unique.



IV: Describe your experience in the industry – your behind-the-scenes work until now, including your decision to flip "Flashing Lights".

CM: The industry has been both kind and cruel to me. I don't really fit into any particular mold so there have been a lot of doors slammed in my face because people don't think I have a place. But then at the same time, I've had some really great people become my champions and help to keep going. I would never have found this great situation at Motown if it weren't for my manager, our friend Folayan Knight and Dallas Austin.

The decision to flip "Flashing Lights" was a simple creative urge. I thought I could make something fun out of it. I never really thought it would get the attention it did.


IV: Yeah man, it definitely swept the industry and especially the blogs. I mean, you received such a huge response from every blog, not to mention a co-sign from the man himself, Kanye West. I'm pretty sure everyone's been asking: did you even expect such a huge response, let alone a shoutout from Kanye?

CM: The nod from him meant the most to me cause I was initially concerned when it started to blow up that people would take it the wrong way. The rest of the support from bloggers and websites and djs is a huge part of my story.


IV: Tell us about the new mixtape you plan to drop. Is it still in the works? And when do you plan to drop it?

CM: I almost don't like calling it a mixtape 'cause it's not like most mixtapes. It's obviously not hip hop and I don't do the usual mixtape things on it. I guess it's what you get when you're a white kid from Canada and you try to make a mixtape! Some of the people that have jumped on it have blown me away with their willingness to get on tracks that were maybe different from what they usually do. It will be available in November.


IV: What about your new LP? How far along are you on it? What can we expect from the album – conceptually, musically, etc.?

CM: The LP has been finished for a few months now and ready to go. It's the record I've been working on for the past 4 years so it's come a long way since then. I started it in my Grandfather's attic and I finished it in Dallas Austin's studio. The album is kind of a chronicle of the period of time when I was leaving home and moving to the big city and really jumping into life for the first time. You'll hear some naivety, some optimism, some depression. I do everything on the record except for one track that I did with Dallas.



IV: We really enjoy your latest single, "Will I Stay", and to me, it's an interesting take from a male's perspective. What persuaded you to create this record? Tell us the story behind.

CM: That song just happened. I didn't mean to write about any particular situation at the time, but looking back i was in that exact scenario in real life. I think I just wrote it and didn't pay attention to where it came from.


IV: We're truly even more excited to hear the remix with Wale. Wale's a DMV (DC, Maryland, Virginia) native who's been holding it down for years, and like you, he's an upcoming artist who recently signed with a label. And, believe me, if you see him live, as I've had several times, it's just a breathe of fresh air – from his passion to his lyrics and his live band. What attracted you to Wale, and what is it like working with the guy?

CM: He is part of this new generation of emcees that are emerging right now that are also members of the genre-less generation that I was talking about earlier. They are comfortable and clever at coming up with flows over unconventional tempos and tracks. He is just as passionate in person and loves to be productive. I really respect that combination because you don't always find it in an artist.


IV: Wale's going to be a major problem in 2009, and we are looking forward to what he has to offer. What other collaborations can we expect from you, whether in your new album or your mixtape or any other drop?

CM: I did a track for Black Milk that is on his Tronic album that was just released. He is also on the mixtape as well. He is part of the next generation.

IV: Yes! We're really digging his latest cut "Give The Drummer Sum". So you've got to feel confident about hooking up with Dallas Austin. I mean, the man is a legend throughout the music industry. How'd that go down? What is it like working with the man?

CM: He was given my music by a mutual friend from NYC. She manages some great writers and producers and was trying to help me out at the time. Dallas heard my solo record and flew me down for a few days to hang out. He is like me, a bit of a lone wolf who doesn't belong in any particular genre. I think maybe he just understood the path I was on and was cool enough to help me walk it.


WILL I STAY

IV: What are your long-term goals in music? What do you want to be known for?

CM: I want to make other people feel what I felt listening to that radio late at night when I was a kid, or when I discovered Dilla for the first time, or fell in love with the Beatles. I want to add to the collective cultural fabric of the music of our time, whether that is a whole different piece or maybe just a few new threads.

IV: Let the fans know anything else you'd like them to hear that maybe didn't come across from the rest of this interview.

CM: No i'd have to say that was pretty thorough!

IV: Well, Colin, we appreciate everything and thank you for taking the time out with us to speak to us about what's going on so far. We wish you nothing but the best and hope to hear from you soon!

FOR COLIN'S MIXTAPE, GO TO THE POSTING. My favs are definitely Will I Stay (remix), Cannon Ball, and Brick in the Wall. Oh yeah, probably one of the illest intros!!